Top picks. Looking for a summer read?
For a bit of madness, I decided to compare five of my favourite crime/thriller reads. They’re all start of series books -
BLINDSIGHTED (Grant County #1) by Karin Slaughter
I liked most – the detailed back stories to the characters and how those stories come into the present. Strong tension and dynamics between police officer Lena and her murdered sister, Sara Linton the coroner and her ex-husband, police chief Jeffrey.
Didn’t like – the first murder which is bloody and graphic. Followed by graphic scenes at the autopsy.
THE MERMAIDS SINGING (Tony Hill and Carol Jordan #1) by Val McDermid
I liked most – Tony Hill. Tony is a creepy criminal profiler who is working with the police (Carol) to bring down a serial killer.
Didn’t like – the sadism and sexual gratification of the killer, which is described in detail for the first two killings.
TRIPTYCH (Will Trent #1) by Karin Slaughter
I liked most – the storyline which weaves together the past and the present in twisty ways you’d never predict. Will Trent has his work cut out bringing down the killer, and the killer is always one step ahead.
NOW YOU SEE ME (Lacey Flint #1) by SJ Bolton
I liked most - Detective Constable Lacey Flint’s secrets and her hidden past which gives this story its edge. A complex, intriguing plot.
SILENT SCREAM (DI Kim Stone #1) by Angela Marsons
I liked most – great storytelling with plenty of layers.
Didn’t like - a bit of a flat pace.
Top picks – TRIPTYCH and NOW YOU SEE ME.
Links to my full reviews on Goodreads –
https://www.goodreads.com/review/show/1595965133 Now You See Me
https://www.goodreads.com/review/show/1931304815 Mermaids Singing
https://www.goodreads.com/review/show/2027028064 Silent Scream
#7 Discover Ten New Authors of Colour
Lola's House by M.Evalina Galang
We are immersed in paragraphs and passages which describe Filipino women's memories of their experience during the Second World War, when the Filipines was invaded by the Japanese.
We read of abductions into sexual slavery, the witnessing of atrocities against family members, the witnessing of rape and torture of other women and young girls in the 'camps' set up by the invading Japanese army.
The author is a researcher and she mixes passages from the survivors, with her own impressions of them and of their lives currently at Lola's House, where the women meet after a campaign to 'out' the atrocities of the war, supported by the Filipino media and international women's organisations.
The author, an American with Filipino ancestry, is clearly moved by the women and their lives. When she first goes to interview the women, she takes with her several young American girls who befriend the survivors and we also see the reactions of these young girls. I found this mix riveting and we really experience the girls' view of the women.
The survivors accounts are horrific.
The accounts are told by women now in their eighties and nineties, many of whom had never told their family members what they suffered. They kept their experiences a secret because of the shame piled on them by society after the war.
This was made more complicated (I understood) by the fact that many villagers fought as guerrillas and fled to the mountains, whereas the camps were in the cities and urban areas full of Japanese - therefore there were few actual Filipino witnesses who were not either imprisoned themselves or collaborators.
At the end of this book, I felt the most sadness over the fact that the women's hopes and campaigning for an official apology from the Japanese government, have not been realised - even after years of fighting for justice and with the backing of the US Senate.
The women are so old, there will be few left soon.
I found their courage in the telling of their stories deeply moving.
I was glad to be an honest witness to their experiences and felt the reading of the book to be an act of solidarity - in defiance of the lack of political will to recognise how terribly these women suffered at the time and then throughout their lives in the silence.
I also could not help thinking of the Japanese perpetrators and whether any of them are still alive. Since most of the women were abducted when they were young (12, 13, 14 years old...) and the soldiers were older, then I suppose this is unlikely.
The photographs in the book make each of the women more real.
Congratulations to the author for her work in documenting these important stories.
I give this book 5 stars for the women's stories.
I dropped it to 4 stars because of the style of documenting, in which the experiences are mixed in with reflections, campaigning, visits to the women's home villages - but this was not done in a linear manner and made it a little difficult at times to follow the threads.
The women felt very real to me and this is a book that will stay in my mind for a long time.
I received an advance copy of this book from NetGalley. These are my honest views.
#4 (2) Discover Ten Iconic Authors of Colour
There is a hunting accident and a child is killed.
Landreaux and his wife Emmaline follow the Native American tradition and take the terrible decision to give away their own son to the bereaved mother and father - Peter and Nola, who live next door but off the reservation.
Far from being depressing, I found it uplifting to read how this profound act affected everyone involved - the four parents, their other children, the Pastor, Landreaux's friend Romeo and Romeo's son, the elders on the reservation.
The beauty of the writing, the honesty (which is sometimes painful) and the theme of traditions and their root in history and path into the future - these were all lovely and rare to read about.
At the end of the story, I was left full of feeling.
In particular for Peter and Nola's difficult daughter, Maggie, who becomes Larose's new sister, and for Larose's own two feisty older sisters, Snow and Josette. I loved all their characters.
And of course, LaRose, who is five when the accident happens. Throughout the story, he takes events into his own hands and will become the person on whom they all depend to survive the years of ordeal.
Wonderful writing. Wonderful story.
And the results are in -
Delighted to announce GOOD GIRL BAD GIRL is a Finalist in the Eric Hoffer Book Award - First Runner Up, Ebook Fiction
If you're a budding writer - check out this writing competition.
The Berlin Writing Prize - 3000 words fiction/non-fiction on the theme 'Home is Elsewhere'.
Prize is a one-month luxury writing residency in Berlin.
We spent a lovely spring week in the UK visiting my family. I'm not the world's best wildlife photographer (as you can see) but we had the good luck to spot a hare. Here she is, along with a photo of the spring bluebells.
#4 Discover 10 Iconic Authors of Colour
This is such a great book.
It's also a very difficult one to read because it pulls no punches about the Native American experience. In this book you will read about grindingly cruel experiences, the drudgery of daily life, alcoholism and suffering, in-fighting and rivalry that lasts generations.
Erdrich tells us about her characters in small stories, each centred around a different character. Sometimes we read about the same event in different stories, told from different perspectives or perhaps by someone in the succeeding generation.
Erdrich tells us about her characters by telling the story of key points in their everyday lives - cooking for guests, caring for a loved-one in an alcoholic stupor, greeting relatives, losing a relative, visiting a forbidden lover, coming home from war.
In these short scenes, she describes her characters so fully, so completely, that we see them bared to the bones of who they are. Yet in telling us of their weaknesses she does not diminish them.
I think this is what I loved the most about this book because somehow her writing has the opposite effect and lifts her characters up.
It's Erdrich's actual writing style that conveys this special touch and brings beauty and eloquence to it all.
I love gardening and when I lived in the UK I had an allotment.
Now, in Montpellier, France, I have my Mediterranean garden.
We have a long, dry summer and many plants flower early after the spring rainfall.
Bulbs do particularly well.
Here's a photo of my garden and the lovely early daffodils and violets.
#3 Discover 10 Iconic Authors of Colour
Chimamanda Ngozi Adichie has an eye for detail.
She use this to great effect because her main characters, Ifemelu and Obinze, also have a great eye for detail and they make wonderful observations of the people and situations that surround them. These observations and commentary make up the majority of the book.
In essence, this is a love story between Ifemelu and Obinze.
Ifemelu also has a love/hate relationship with America and with Nigeria (that's how I interpreted it). Ifemelu fills the story with commentary on her friends, her family and work colleagues and how they react to race, racism, values, hierarchy, privilege and the lack of privilege, and the fight for survival when you are an African American, or a black African living in America and starting pretty much at the bottom of the ladder.
We follow Ifemelu as she lives in America, then returns to Nigeria to face friends and family that have changed in ways she has not. Of course, Ifemelu has also changed in ways that her friends and family have not.
I liked Ifemelu - she's brave, she has a wry sense of humour, she's independent and an independent-thinker. She herself says that this puts her apart from her Nigerian women friends.
Ifemelu suffers a terrible depression in America and we see her struggling to cope in her new country.
The author is fresh and exciting and I enjoyed her observations, which seemed to me spot-on.
In the second half of the book, I found that the same themes are repeated from the first half.
This wasn't a problem, though, if I'm honest, I was probably hoping for the writer to go deeper or pull more gems from the bag. (But, hey, she had already wowed me in the first half.)
Instead, we plunge further into the love story between Ifemelu and Obinze. They have been cruelly been ripped apart by fate, circumstance and shitty, immigration experiences and it seems impossible to bridge the gap that has grown between them...
#2 Discover 10 Iconic Authors of Colour
Original. Cutting. A fly-on-the-wall view of the immigrant experience in all its complexities and absurdities.
This is an epic read in length (some 500pages in my edition).
We follow the lives of Archie and Samad. They are two unlikely friends who re-meet in London in the 1970s. Samad and Archie served together in the second world war and the chapters devoted to their memories and what happened between them during the war, were my favourites. I think this is because it's the part of the book where I found the most warmth.
Archie and Samad both find wives. They have children who know each other. We get to know each of these people in detail - the wives, the children, the friends of the wives, the friends of the children, as well as a host of other characters that move in and out of their lives. In fact, there is so much detail on each person, at times I felt bogged down and had to stop reading.
However, detail is also the author's strong point and this detail is used to show us humour, irony at situations which race and racism place the characters in, the difficulties of immigrant families, religion and how it can turn into dogma, fate and odd circumstances and the way events from the past seem to shape the present.
I liked this book, though there were parts I didn't like because they were too long. The ending worked for me because all the threads came together to bring closure to each and every character's story - some of these endings were good and others were bad.
This was my second Zadie Smith, so I was well prepared for the slow pace of the prose and the detailed meandering through the lives of several characters.
We follow the friendship of two girls - they grow up in one of the poorer parts of London, both have dreams of fame and dance success and of breaking out of the confines of racial stereotyping.
The issues of racism are well explored and expanded to include West Africa, where the main character ends up working on a development project spearheaded by her superstar boss.
There are lovely nuances between all the characters, though, strangely, at the end I felt it was the main character whom I knew the least (she is never named) - whereas her best friend Tracey, her mother, her boss, the African friends she makes in the village and her colleagues are well drawn. This was a little frustrating and I wondered why the author had chosen not to tell us more about the heart of this main character.
I enjoyed reading this book though I think it's less of a story and more of a touching exposition on the interactions between ordinary people.
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